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presents
HARMONIC DISSONANCE
2026 ATHENS - GREECE
PLYFA Building 7A, Korytsas 39, Athens 10447

 

PROGRAM MAY 8, 2026 

DANCES WE DANCE/PERFORMING ENSEMBLE (New York, U.S.)

Kathleen Caragine, Colleen Edwards, Rosy Gentle, Francesca Todesco with guest Julie Dubois (FR)

HARMONIC DISSONANCE

Suite of Themes & Variations on the Duncan's Scriabin solo Études

 

24 Preludes, Op. 11: No. 3 in G major (2026)

PRELUDE

Music: Alexander Scriabin

Choreography: Francesca Todesco

Dancers: Kathleen Caragine, Colleen Edwards, Rosy Gentle

*Étude in C-Sharp Minor: Op. 42: No. 5

THE CROSSING

Music: Alexander Scriabin

Choreography: Isadora Duncan 

Dancer: Francesca Todesco

 

Labradford (2026)

CONFINI

Music: Chris Johnston, Craig Markva, Jamie Evans

Choreography: Francesca Todesco

Dancer: Francesca Todesco

Dancers: Kathleen Caragine, Colleen Edwards, Rosy Gentle 

 

Romanze, Op. 28: No. 1 (2025)

ESCAPE

Music: Robert Schumann

Choreography: Francesca Todesco

Dancers: 

Kathleen Caragine, Julie Dubois,

Colleen Edwards, Rosy Gentle

  

Preludes Op. 11: No. 7 in A Mayor (2026) 

No. 12 in G-Sharp Minor & No. 14 in E-Flat Minor (2025)

STILL WATERS

Music: Alexander Scriabin

Choreography: Francesca Todesco 

Dancer: Colleen Edwards

 

 *Étude in C-Sharp Minor: Op. 2, No. 1

MOTHER

Music: Alexander Scriabin

Choreography: Isadora Duncan

Dancer: Francesca Todesco

  

Solo? Repeat! (2025)

RESONANCE

Music: Anne Müller

Choreography: Rosy Gentle

Dancers: Kathleen Caragine, Colleen Edwards, Rosy Gentle

 

 Op. 32: No. 2 in D Major  & Op. 44 No. 2 (2 Poèmes), Quasi valse, Op. 47 (2025)

UNBOUND

Music: Alexander Scriabin

Choreography: Francesca Todesco 

Dancer: Rosy Gentle

 

*Étude in D-Sharp Minor: Op. 8, No. 12

REVOLUTIONARY

Music: Alexander Scriabin

Choreography: Isadora Duncan

Dancer: Francesca Todesco 

 

Ekei Pano Einai Ena Asteri...; Prelude, Op. 16: No. 1 in B Major (2025)

WHISPER

Music: Eleni Karaindrou & Alexander Scriabin

Choreography: Francesca Todesco 

remembering Anna Sokolow (1910-2000)

Dancers: Kathleen Caragine with Julie Dubois

Recomposed by Max Richter

POSTLUDE

Music: from the Vivaldi Quattro Stagioni

Choreography: Francesca Todesco

The Company

 

*This trilogy of dances (also called The Crossing, Mother and Revolutionary) was created by Isadora Duncan between 1921 and 1923 to the Études of Alexander Scriabin. This work was later revived, reconstructed and staged by Irma Duncan and later by Julia Levien. Although the dances were choreographed on specific subjects and events of the past, like many of Duncan's works, they remain timeless and still pertinent in today’s world.

 

  

 - INTERMISSION -

COMPANY'S REPERTORY WORKS 

 

Wave (2001)

Music: Frédérick Chopin

Choreography: Catherine Gallant

Restaging by: Francesca Todesco

Dancers: Katherine Caragine, Colleen Edwards, Rosy Gentle

 

Remember

Music: Alberto Ginastera

Choreography: Jim May

Dancer: Francesca Todesco 

 

(Great) Expectations (2023)

Music: Schumann, Beethoven

Choreography: Francesca Todesco 

Originally a quartet, re-staged as a trio for this performance

Dancers: Katherine Caragine, Colleen Edwards, Rosy Gentle

​************

DANCES WE DANCE/PERFORMING ENSEMBLE (New York, U.S.)

Kathleen Caragine, Colleen Edwards, Rosy Gentle, Francesca Todesco

Guest artist Julie Dubois (FR)

 

FOUNDERS

Betty Jones, Fritz Lüdin

 

ARTISTIC DIRECTOR

Francesca Todesco

 

LIGHTING

Alexandros Lykouras

                                                                        

          PLYFA TEAM          

Alexandra Foka, Mapianna Pantoy

A special thanks to the staff at PLYFA, particurarly Alexandra and Mapianna, for their warm hospitality and help with the production. 

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 PROGRAM NOTES from artistic director Francesca Todesco

I first arrived in Athens in 2023 and was immediately taken by the warmth of its people and the depth of its culture. What began as a single workshop at the Duncan Center soon unfolded into something more enduring; my dancers joined me, and together we nurtured what has now become our third year of teaching in this city. It is from this place of connection that the desire emerged to share a full evening of Dances We Dance—an offering of our work, our passion, and our gratitude to Greece. We are honored to present Harmonic Dissonance here.

 

Conceived in 2025, this program reflects on the approaching centennial of Isadora Duncan’s passing. It is both an homage and a continuation—a way of honoring not only the artist herself, but the force she set in motion. Duncan’s revolutionary spirit reshaped the language of dance, and its echoes continue to resonate. This program offers a glimpse into that resonance, tracing how her questions, her ideals, and her sensibilities still live within the body today.

 

At its core are three of Duncan’s Scriabin Études, created between 1921 and 1923, during a time of profound transformation in her life. These solos—intimate yet expansive, fragile yet resolute—serve as the heart of the evening. Around them, new themes and variations unfold, moving between harmony and rupture, memory and reinvention, continuity and change.

 

This work is also a gesture of gratitude toward the lineage of modern dance: not only its pioneers, but the teachers and mentors who have carried their vision across generations. Their presence lingers—visible and invisible—woven into a living tapestry of memory, inquiry, and renewal. Within it, harmonic dissonance reveals itself not as opposition, but as a necessary tension, a meeting of voices that expands the whole.

 

The second part of the program gathers a few works from the company’s recent years, created by choreographers who are deeply dear to us. Together, they reflect the range and adaptability of both the dancers and the repertory—an essential thread in the fabric of our artistic identity.

 

Thank you for being with us, and for sharing in this moment.

ΣΗΜΕΙΩΜΑΤΑ ΠΡΟΓΡΑΜΜΑΤΟΣ
από την Καλλιτεχνική Διευθύντρια Francesca Todesco

Πρωτοήρθα στην Αθήνα το 2023 και αμέσως με συνεπήρε η ζεστασιά των ανθρώπων της και το βάθος του πολιτισμού της. Αυτό που ξεκίνησε ως ένα μόνο εργαστήριο στο Κέντρο Duncan σύντομα εξελίχθηκε σε κάτι πιο διαρκές· οι χορευτές μου ενώθηκαν μαζί μου και, μαζί, καλλιεργήσαμε αυτό που σήμερα αποτελεί τον τρίτο χρόνο διδασκαλίας μας σε αυτή την πόλη. Μέσα από αυτή τη σχέση γεννήθηκε η επιθυμία να παρουσιάσουμε μια ολοκληρωμένη βραδιά των Dances We Dance—μια προσφορά της δουλειάς μας, του πάθους μας και της ευγνωμοσύνης μας προς την Ελλάδα. Είναι τιμή μας να παρουσιάζουμε εδώ το Harmonic Dissonance.

Σχεδιασμένο το 2025, το πρόγραμμα αυτό αποτελεί έναν στοχασμό πάνω στην επικείμενη εκατονταετηρίδα από τον θάνατο της Isadora Duncan. Είναι ταυτόχρονα ένας φόρος τιμής και μια συνέχεια—ένας τρόπος να τιμηθεί όχι μόνο η ίδια η καλλιτέχνις, αλλά και η δύναμη που έθεσε σε κίνηση. Το επαναστατικό πνεύμα της Duncan αναδιαμόρφωσε τη γλώσσα του χορού, και οι απόηχοί του συνεχίζουν να αντηχούν. Το πρόγραμμα αυτό προσφέρει μια ματιά σε αυτή την αντήχηση, ιχνηλατώντας πώς τα ερωτήματά της, τα ιδανικά της και η ευαισθησία της εξακολουθούν να ζουν μέσα στο σώμα σήμερα.

Στον πυρήνα του βρίσκονται τρεις από τις Études του Scriabin της Duncan, δημιουργημένες μεταξύ 1921 και 1923, σε μια περίοδο βαθιάς μεταμόρφωσης στη ζωή της. Αυτά τα σόλο—οικεία αλλά και εκτεταμένα, εύθραυστα αλλά και αποφασιστικά—αποτελούν την καρδιά της βραδιάς. Γύρω τους ξεδιπλώνονται νέες θεματικές και παραλλαγές, κινούμενες ανάμεσα στην αρμονία και τη ρήξη, τη μνήμη και την επανεφεύρεση, τη συνέχεια και την αλλαγή.

Το έργο αυτό αποτελεί επίσης μια χειρονομία ευγνωμοσύνης προς τη γενεαλογία του σύγχρονου χορού: όχι μόνο προς τους πρωτοπόρους του, αλλά και προς τους δασκάλους και μέντορες που μετέφεραν το όραμά τους μέσα στις γενιές. Η παρουσία τους παραμένει—ορατή και αόρατη—υφασμένη σε ένα ζωντανό υφαντό μνήμης, αναζήτησης και ανανέωσης. Μέσα σε αυτό, η αρμονική δυσαρμονία δεν εμφανίζεται ως αντίθεση, αλλά ως μια αναγκαία ένταση, μια συνάντηση φωνών που διευρύνει το σύνολο.

Το δεύτερο μέρος του προγράμματος συγκεντρώνει ορισμένα έργα από τα πρόσφατα χρόνια της ομάδας, δημιουργημένα από χορογράφους που είναι ιδιαίτερα αγαπητοί σε εμάς. Μαζί, αναδεικνύουν το εύρος και την προσαρμοστικότητα τόσο των χορευτών όσο και του ρεπερτορίου—ένα ουσιαστικό νήμα στον ιστό της καλλιτεχνικής μας ταυτότητας.

Σας ευχαριστούμε που είστε μαζί μας και που μοιράζεστε αυτή τη στιγμή.

(translated by ChatGPT - apologies for any errors)

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 BIOS

 

DANCES WE DANCE/PERFORMING ENSEMBLE (DWD) was formed in 2020 under the artistic direction of Francesca Todesco, carrying forward a rich legacy originally established by legendary dancers, teachers, and choreographers Betty Jones and Fritz Ludin in New York in 1970. Betty and Fritz’s mission of nurturing new generations of dancers led to over 50 years of dedicated teaching and choreographing around the world. Upon their retirement in 2019, they entrusted Francesca with the leadership of the organization, ensuring the continuation of their vision and artistic values.

Guided by this heritage, Dances We Dance trains dancers in classic and contemporary works, commissions new choreography, and offers educational programs that connect historical and modern perspectives. Since its New York debut in 2022, the company has commissioned new works by Catherine Gallant, Rae Ballard, Mark Bankin, Annmaria Mazzini, Hannah Howell, Francesca Todesco and Rosy Gentle; re-staged repertory works by Isadora Duncan, Doris Humphrey, Ted Shawn and Anna Sokolow. The company has performed in New York, Paris, and Athens, and appeared at the 2023 Battery Dance Festival in NYC. DWD continues to honor the roots of modern dance while fostering creativity and collaboration among artists from around the world. In 2025 alone, DWD has hosted workshops in Paris, Athens, Rome, and New York, coordinated the annual Isadora Duncan Birthday Celebration in Central Park, presented its fourth NY Season and led a spring workshop culminating in two beautiful evenings of dance at the Center at Park West on Manhattan’s Upper West Side. We are honored to present our first   

full-evening performance at PLYFA in Athens, Greece.  www.danceswedance.org

 

FRANCESCA TODESCO (Artistic Director, DWD) is a New York–based dancer and educator with extensive training in the Sokolow, Humphrey-Limón, and Duncan techniques. She credits her artistic formation to esteemed teachers including Jim May (recipient of the Martha Hill Award for Lifetime Achievement), Catherine Gallant, Loretta Thomas, Betty Jones, Fritz Ludin, Gail Corbin, and Deborah Carr. Since joining Catherine Gallant/DANCE & Dances by Isadora in 2000, Francesca has performed and taught Isadora Duncan’s works internationally. She has also collaborated with numerous choreographers and companies in New York City, among them Deborah Carr Theatre Dance Ensemble and Rae Ballard’s Thoughts in Motion. A founding member of the Sokolow Theatre/Dance Ensemble, she danced with the company for over sixteen years and continues to contribute to the preservation and reconstruction of Anna Sokolow’s repertory and archives. Under the leadership of Jim May and alongside her accomplished colleagues, she discovered the profound emotional truths at the heart of performance.

Dedicated to passing on the legacy of historical modern dance, Francesca has organized workshops featuring master teachers, and for more than a decade directed her children’s program, Every Little Movement, in Hoboken. A dedicated advocate for modern dance preservation, she is a member of the American Dance Guild, serves on the Isadora Duncan Archive Committee, and is part of the Planning Committee of the Duncan Legacy Project, which is organizing the 2027 Isadora Duncan International Symposium in Paris. An internationally sought-after teacher and coach, she has recently worked with groups in London, Paris, and Athens. In 2020 she founded her own company, Dances We Dance, as a platform for both preservation and innovation—launching a new generation of Duncan dancers while continuing to create and perform new works. Alongside directing DWD, Francesca teaches Isadora Duncan exploration classes for adults in Manhattan and regularly leads workshops in Paris and Athens.

ISADORA DUNCAN (1877-1927), born in San Francisco, revolutionized dance with her groundbreaking approach to movement and expression. Rejecting the rigid structure of classical ballet, she shed traditional costumes like ballet slippers and corsets, opting instead for simplicity and natural movement that echoed the rhythms of nature. Duncan sought to develop a dance vocabulary that would illuminate the human spirit and its connection to the world around us. She was among the first choreographers to create dances set to music that wasn’t composed specifically for dance, drawing from composers like Chopin, Brahms, Schubert, and Scriabin. Her bold, unrestrained style shocked American audiences, who found her bare limbs and unconventional approach daring. Unfazed by controversy, Duncan set off for Europe, and later Russia, where her boundless spirit inspired visual artists, poets, and choreographers.

 

DANCES WE DANCE/PERFORMING ENSEMBLE

KATHLEEN CARAGINE is a New York City based modern/contemporary dancer who began her dance training at the age of three in Danbury, Connecticut. Her training continued at Hofstra University where she received a Bachelor of Arts in Dance and a minor in Exercise Science. Currently, she is teaching dance and Pilates in Connecticut and NYC/Brooklyn. Kathleen has had the pleasure to perform works throughout NYC and abroad by Isadora Duncan, Doris Humphrey, Ted Shawn, Catherine Gallant, Rae Ballard, Annmaria Mazzini and Francesca Todesco. She is a founding member of Dances We Dance under the direction of Artistic Director Francesca Todesco.

 

COLLEEN EDWARDS (she/her) is a dancer and teaching artist based in Brooklyn, NY.  She graduated from Hofstra University where she studied Dance and English Literature and has since had the opportunity to perform across NYC, internationally, and on live national television. As a founding member Dances We Dance, she has had the pleasure of performing works by Isadora Duncan, Ted Shawn, Doris Humphrey, Francesca Todesco, Catherine Gallant, Rae Ballard, and Annmaria Mazzini, while learning and exploring the techniques and works of early American modern dance pioneers under the artistic direction of Francesca Todesco. Colleen also performs with Mark Bankin Dance Theatre and The NeoPolitical Cowgirls, and studies Argentine Tango. As a teaching artist, Colleen shares her love of movement with the students at WR Arts and the School at Peridance. 

 

ROSY GENTLE Originally from Spokane Washington, Rosy began studying dance at the age of three and received a BA in dance and environmental studies from the University of Washington. She has studied ballet, modern dance and most recently Argentine tango. Since moving to New York, she has danced with Moving Visions Dance, Dances by Isadora, Rae Ballard, Douglas Dunn and Dancers, Heidi Latsky Dance, Cross Move Lab, Studio Apartment, SMUSH gallery, and Mark Bankin. She has also performed internationally in Athens, Paris, and Berlin. As a founding member of Dances We Dance Rosy has studied the movement of Isadora Duncan and had the opportunity to assist in teaching Duncan technique and repertoire in Athens and Paris. She presented her work as a choreographer in Dances we Dance 2025 fall season. 

JULIE DUBOIS (guest artist) is a dancer and dance scholar. She has explored several movement practices since childhood: classical dance, contemporary dance, and archery. She worked for several years with the Ile de Danse company, which specializes in improvisation and instant composition. After earning a Bachelor’s degree in philosophy at the Sorbonne University, she obtained a Master’s degree in Dance at Paris 8 University. During this period, she discovered Duncan dance and focused her research on the question of heritage and lineage in the work of Isadora Duncan. In 2022, she created the solo Lisa\dora, dedicated to Lisa Duncan. In 2024, she co-founded the dance collective PIEDEBICHES which produces choreographic interventions aimed at linking popular and academic knowledge through dance. 

 

 

 

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